Housing: Victorian Housing Estates

The parlour in a typical working class house in the early 1900s

Parlour is a word that is seldom heard today. In the past it was used for a room kept for visitors, special occassions and Sundays, where everything was spick and span and where the family was seldom allowed in. It seems strange to us today that people who lived in small houses and were not well-off should keep a room for the most part unused - but that was the norm. This page describes a typical parlour and its furnishings.

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Extracted from the memoirs of the webmaster's mother(1906-2002) and edited by the webmaster with contributions and discussions from others

Our parlour, like most parlours, was at the front of the house - see the room plans page. It was probably fairly typical of all the front parlours on our working class housing estate.

How and when the parlour was used

The parlour was a very stiff and starchy affair. No-one ever went in there apart from Sundays and high-days and holidays. It was a cold room for most of the year because we only had coal fires for heating, and the parlour fire had to be lit specially - which was extra work for my mother as well as additional expense. The kitchen, in contrast, was always warm and cosy.

A 1900s parlour, from a sketch by Rosemary Hampton.

The parlour furniture

There was quite a lot in the parlour:

There was a suite of two armchairs and a sofa upholstered with a brocade type of material in green and brown and four upright chairs. Unfortunately the moth or some other grub got into the sofa and in spite of using moth balls by the dozen, my mother just could not get rid of it until at last my father fumigated the room with I don't know what. Windows and doors were sealed and we were not allowed to go in there for a few days. The smell was vile.

There were also three occasional tables. One was bamboo, another was a polished table with three twisted legs.

The fireplace

The fireplace was black with coloured tiles at each side. The fender was also black and had to be black leaded when cleaned. Over the mantelpiece was a drape, rather like a curtain net - see the above sketch. It was velvet and a deep plum colour, with large gold daisies embroidered on it, beautifully worked by my Aunt Lene. A large black and gold framed mirror hung above that.

A typical black Edwardian fireplace with decorative tiles on either side* The fender is lost.

Pictures, picture rails and picture hooks

There were a number of pictures hanging from the picture rails on the parlour walls but I only remember one. It depicted a mother mending a pair of trousers and her children looking on.

The little boy to whom the trousers belonged was standing in his shirt. It really depicted the times as it was called His only Pair. The picture itself was in grey and white and the frame was brown. I have often wondered where it came from. Of course in those days prints were given away by magazines. Bubbles which was put up by Pears Soaps was one of them. That is why so many people had this picture. Another picture was Cherry Ripe which was a pretty picture of a little girl.

It was normal to have narrow decorative strip of wallpaper, known as a frieze running underneath picture rails, but around 1950, most picture rails were removed; the wall was replastered, wallpaper was pasted up to ceilings and pictures were fastened directly onto walls.

Below are two more pictures put up by Pears soap. There are similar pictures on the internet, some with Pears Soap written across them, presumably as advertisement posters. They must have
been subsidised by Pears Soap which was probably why they were so popular in old houses.

The pictures Bubbles and Cherry Ripe, both produced by Pears Soap**.

These versions are largish on a wall in the hall of the period house. They have the appearance of oil paintings.

Ornaments

There were numerous small ornaments - 'knick-knacks' as they were called.

House plants

All parlours had the traditional aspidistra houseplant. Or perhaps the aspidistra was put in there when visitors were expected. The plant was popular because it managed to grow in the atmosphere of gas, common for lighting, and smoke from coal fires.

My mother's aspidistra was in an ornate pot. She really looked after her plants. She washed them regularly with chamois leather and fertilised them with tea leaves.

The bay window and venetian blinds

There was a bay window, made up of three sash windows. The fashion was to have a lace curtain at the lower half of the window - note lace, not net. They had scalloped edges and were tied by just below the window with a band.

The bay window of the front parlour, seen from outside the house.

Note the sash windows, the wooden venetian blinds pulled up and the lace curtains.

I can't recall any long curtains but we did have venetian blinds, not made of plastic or plasticised fabric, but of real wood. When the room was spring cleaned, all the slats had to be taken out and washed and polished with wash-leather, and the tapes were washed and hung over the line - quite a business.

If you can add anything to this page or provide a photo, I would be pleased if you would contact me.

Text and images are copyright

*Photographed by the webmaster in the home of a member of the wider family.
**Photographed by the webmaster in Milton Keynes Museum
***Photographed by the webmaster in Nidderdale Museum

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