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Production of camera-ready copy
for a book with early home computers

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This page is about ways of producing camera-ready copy for books during the few years of massive changes in publishing technology. This was in the late 1970s and early 1980s. Although authors were encouraged to produce their own camera-ready copy, there were no suitable home computers for the mass market. So most authors had to rely on the sorts of typewriters that are now museum pieces. Our experience was a little different. Read on ...

    

The BBC Microcomputer

BBC Microcomputer - the first popular home computer for the mass market

The BBC Microcomputer

My first experience of producing camera-ready copy for a book is tied up with one of the first personal computers for the mass home market. Arguably it was by far the most popular, probably because it was commissioned by the BBC to accompany its new series of programmes on computing. It was known as the BBC Microcomputer or just the BBC Micro.

'Micro' was an apt description at the time, but the computer was too large to be used as a laptop and it needed a separate monitor.

It came onto the market in the early 1980s and is now a museum-piece.

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The book to accompany the BBC Microcomputer

While the BBC Microcomputer was being developed, my husband and I were asked by Prentice Hall Publishers to produce a book to accompany it. The book was called Basic Programming on the BBC Microcomputer.

Book: Basic Programming on the BBC Microcomputer and display

Left: The book, Basic Programming on the BBC Microcomputer.
Right: shop window display of the book.

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Our equipment for writing the book

I was so entranced by IBM's text editing system that I really wanted to use the most up-to-date technology for drafting and finalising the manuscript.

However, at the start of our writing, the BBC Micro itself was still under development. So we couldn't use it for our writing. (We used a mock up in the developer's offices for testing and checking what we were writing.)

So we had to improvise word processing. We were probably among the earliest in the world to write a book on a computer.

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A basic home-made computer from a kit

For writing the drafts of the book, my husband soldered together a simple computer from a kit plus various bits and pieces. It had 32K of memory. (Yes, only 32K! These were the early days of computing and everything was very basic indeed.) The kit computer was the best available for our purposes at the time! There seemed to be wires everywhere.

Our separate monitor was tiny. The typeface was green, made up of dots, and the background was black.

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A basic word processing software package

cassette audio tape for saving early computer data

Cassette audio tape for saving computer data

My husband found a 2K word processing software package called Naspen that would work on the home-made computer. The output took ages to save onto what was the only option - audio cassette tape on an audio cassette recorder.

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Our basic printer

Our draft printouts were on a dot-matrix printer. Its typeface was made up of a small number of dots, hence the name. The printouts were legible but too crude for camera-ready copy for a book.

Paper for a dot-matrix printer came in long lengths with holes at the edges to fit the sprockets on the printer rollers. There were perforations for tearing the final printout into sheets if required.

Printout from a vintage dot-matrix printer

Part of a printout from a dot-matrix printer. Note how the characters are very obviously made up of dots and also note the holes in the paper which enable to printer's rollers to move the paper line by line.

There was no facility for diagrams or pictures. We just had to mark where we wanted them to go.

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The printer for the final camera-ready copy

We were determined that our camera-ready copy for publication would look as professional as the technology would allow. So we used golf balls on a proportional spacing electric typewriter. This of course was designed for a typist to sit at, whereas we needed it to run from a computer.

So my husband made an electro-mechanical device, ran from the computer, that sat on the keyboard and pressed the appropriate keys. We called the result our 'thunderer' because it made such a noise.

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Diagrams and headings

stage in production camera-ready copy, 1980s

Stage of producing a page of camera-ready copy. The page was old at the time of photographing for this website which is why the dobs of glue from the glue pen show through as dark. At the time of use they were invisible. The page was A4 size. Cropping came later.

Obtaining a good text printout did not take care of diagrams or different font sizes for headings.

So the final printout had to be cut-and-stuck to fit, with spaces left for headings, diagrams and drawings.

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Producing and placing the headings, diagrams and drawings

We produced the headings on separate paper using dry lettering, then known as Letraset, lined up using a drawing board.

The diagrams and drawings were produced on separate sheets. We then cut and stuck them in position, again using the drawing board to line them up.

The sticking was with a few dobs from a glue pen. These attached the pieces of paper loosely, so that they could be removed and re-stuck differently if necessary.

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Removing the cut-and-stick marks

The resulting pages were still not suitable for camera-ready copy as they were fragile and would show shadows from the edges of the cut-and-stuck sections.

Tippex correction fluid

Tippex masking fluid for masking out the shadows produced on the photocopies.

So every cut-and-stuck page was carefully photocopied on a good photocopier and the shadows were masked out with Snowpake or Tipp-ex fluid. Both had brushes attached inside their tops. When a top was removed, its brush was ready loaded with the white masking liquid.

The result was reasonably robust camera-ready copy for the publisher.

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Concluding remarks

The pictures show a sample double page spread from the published book.

Page spread of book showing results of early production of camera-ready copy

Page spread of the final book showing the results of the stages in the production of the camera-ready copy.

Now in the light of modern technology, the pages look a very amateur production, particularly in view of the time and effort that went into producing them.

Nevertheless it was at the cutting edge of authors' camera-ready copy production in the early 1980s and the book was extremely well-received. It went to eight British printings and was translated into several languages.

Incidentally the book was very much a family effort. Our son helped with the programming and our daughter drew the pictures which fronted the first page of every chapter. We went on to produce further books.

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This website Join me in the 1900s is a contribution to the social history of everyday life in 20th century Britain from the early 1900s to about 1960, seen through personal recollections and illustrations, with the emphasis on what it was like to live in those times.